Many of cinema’s greatest movies are derived from books. This course explores the relationship between the written word and the movies; they both tell stories, but authors and directors make different choices to engage us in their art. Is it fair to critique a movie in the same way as we analyze a work of literature? Will we be forever disappointed in the movie version of a book we’ve loved? Can a moving picture really paint a thousand words?
This course refines students’ analytical skills to appreciate the techniques and talents of authors and directors alike; each student compiles her own list of criteria for a successful depiction of each work of literature so that she may assess the respective movie version. Formal written assessments therefore comprise a balanced review of the relative strengths, weaknesses, and worth of both the book and the movie.